I just found out today that my book on the philosophy of cover songs has been accepted for publication! Both referees said that the manuscript could be published as is, but of course went on for pages with comments about how it might be improved.
Continue reading “Celebration and title ruminations”Category: philosophy
The limits of risk
My paper, The scope of inductive risk, has been accepted at the journal Metaphilosophy. I’m told it will appear in the January 2022 issue.
Abstract: The Argument from Inductive Risk (AIR) is taken to show that values are inevitably involved in making judgements or forming beliefs. After reviewing this conclusion, I pose cases which are prima facie counterexamples: the unreflective application of conventions, use of black-boxed instruments, reliance on opaque algorithms, and unskilled observation reports. These cases are counterexamples to the AIR posed in ethical terms as a matter of personal values. Nevertheless, it need not be understood in those terms. The values which load a theory choice may be those of institutions or past actors. This means that the challenge of responsibly handling inductive risk is not merely an ethical issue, but is also social, political, and historical.
Sucking on a chili dog
One thing about cover songs is that there are a lot of weird edge cases. And so people ask What does your account say about… some oddity that they have in mind. For example: What does your account say about Tom McGovern’s video where he plays John Melloncamp’s “Jack and Diane” but replaces the usual lyrics with permutations of the phrase “suckin’ on a chili dog”?
The answer is a bit convoluted.
Continue reading “Sucking on a chili dog”Cover songs book progress
I’ve mentioned in passing a few times that I’m writing a book on the philosophy of cover songs. I now have a complete draft, which moves it to the rock tumbler stage in which I roll around the prose to remove rough edges and add polish.
Continue reading “Cover songs book progress”Striking covers
Andrew Kania poses what he calls the striking cover paradox. The idea is that there could be a series of covers, each making small changes to the one before it, so that the final product sounds nothing at all like the original.
Continue reading “Striking covers”Polite conversation
Today I attended part of a regular seminar series at Uppsala University. An upside of a dire times is that it was on Zoom, so I was able to just drop in. The talk was by Brandon Polite on The Fine Art of Sonic Duplication.
Polite discussed artists remaking their own tracks for licensing reasons, the paradigmatic examples being Def Leppard (who remade a few tracks so as to squeeze their record label for a better deal) and Taylor Swift (who is in the process of remaking her first six albums so as to crush misogyny and master her destiny). These are cases I’ve also been thinking about recently, so it was interesting to hear his take on them. The questions from the Uppsala folks were also top notch.
Torment and interpolations
John Stuart Mill makes an argument that there will come a time— if it has not been reached already— when all the great works of music have already been written. He writes:
The octave consists only of five tones and two semi-tones, which can be put together in only a limited number of ways, of which but a small proportion are beautiful: most of these, it seemed to me, must have been already discovered, and there could not be room for a long succession of Mozarts and Webers, to strike out, as these had done, entirely new and surpassingly rich veins of musical beauty.
His idea is that there are only a finite number of notes which can be combined in only a finite number of ways. Many of the ways will be awful. Of those that are not, many have already been discovered and documented by great composers.
Although Mill only addresses instrumental music, we could extend the argument to songs. Any lyrics which can be written down with an alphabet are built from a finite number of letters which can be combined in only a finite number of ways. Many possible lyrics will be bad. Of those that are not, many have already been written— and each new song further reduces the remaining number of unwritten songs. So there will come a time when all of the great songs have been written.
Continue reading “Torment and interpolations”Write “whim” on the lintels
Last month on Twitter, Helen De Cruz asked what the motivation is to work up an idea into a paper or book, rather than letting them remain as musings, scribbled notes, or blog posts.
My initial answer, “Whim.” I added, “Not in a fleeting sense, though. There are some papers that I just find myself writing, and I guess those are the ones.”
The thing I currently find myself writing is a book on the philosophy of cover songs, tentatively titled Philosophy of Cover Songs. Although there’s a path that got me to this point, there is no real deliberation in it. The alternatives would be either to struggle to write something else (and so get less written) or to wander off to some other activity (and so write nothing).
Covers collaboration
At the risk of jinxing it, I’ve posted a late draft of Appreciating Covers.
I coauthored it with Cristyn Magnus, Christy Mag Uidhir, and Ron McClamrock, giving it the longest list of coauthors on any of my papers so far.
EDIT: There was initially a problem with the link. Should be fixed now.
The new buzzword is as overhyped as the old buzzword
In the Guardian, Sean Monahan offers a skeptical take on the metaverse. That’s not a term I heard before, but it was coined by Neal Stephenson in 1992— evidently because he wanted a synonym for cyberspace that didn’t sound like too much of a William Gibson knockoff.
Mark Zuckerberg evidently thinks that the metaverse is the next big thing. Discussing an interview with Zuckerberg, Casey Newton at the Verge offers a parenthetical joke: “The metaverse being unavailable to us at press time, we used Zoom.”
So far as I can tell, though, the metaverse is just supposed to be an on-line there which has the structure of a social and practical space. Thinking that will be a mind-splitting development misses the fact that we’ve had it for decades already. Back in 2000, I argued that internet chat rooms created virtual social spaces that were largely independent of physical space.
Continue reading “The new buzzword is as overhyped as the old buzzword”