“Music’s weird,” Cristyn commented over breakfast.Continue reading “Music is weird”
Last Summer, Cristyn and I went down to Poughkeepsie to talk with Barry Lam about cover songs. The episode of his podcast featuring us dropped today.
Barry has other guests who address historical and musicological issues. I’m chuffed, though, that the distinctions form my paper with Cristyn and Christy provided the philosophical thread of the episode.
The whole episode is genuinely interesting and engaging, and I think I’d say so even if I didn’t figure in it. I was actually surprised that I didn’t wince at hearing my own recorded voice, testament perhaps to Barry’s skills as a recording engineer.
via The New Yorker, I learn that the outsider rock band The Shaggs recently had a reunion just down the road from me. Writer Howard Fishman asks
Was it fair to even call this band the Shaggs? Or was it, rather, a Shaggs cover band providing a live karaoke soundtrack for the Wiggins to sing along with?
As someone who once judged a contest in which contestants tackled the question of whether a band can be its own cover band, I can’t let this pass as just a rhetorical question.
There is a short review of Hi-Phi Nation in today’s Guardian, topped by a nice picture of host Barry Lam.
Cristyn and I were in Poughkeepsie last week to talk with Lam about cover songs. He plans to do a show about musical covers. He called us because he had read the paper we wrote with Christy Mag Uidhir and we’re local.
“A concern for songs— however ontologically thin—and a concern for live performances—however ephemeral—is no less central to the rock tradition than recordings.”
Tracy McMullen, a musician and scholar who plays saxophone and thinks about American vernacular music, was in Albany last weekend to collaborate with Cristyn on a musical project.
Making conversation at dinner on the last night of her stay, I asked if she’d heard of and had opinions about Mostly Other People Do The Killing’s Blue (an album that’s a note-for-note remake of the 1959 classic Kind of Blue). It turns out that she has a paper about it forthcoming in The Journal of Jazz Studies. Since I’ve also written about it, there was lots to say. A long discussion about covers, authenticity, and versioning practices ensued.
Since the number of people who have written scholarly articles about Blue is small, possibly just the two of us, it’s an odd coincidence. In some ways, though, it was like old times. I originally started thinking about the philosophy of music because of social connections through Cristyn, at grad school parties where I ended up in conversations with musicians. Although I met Tracy once or twice back then, I hadn’t really gotten a chance to know her until this weekend.
Tracy’s visit also made me nostalgic for my year at Bowdoin, since she’s now a prof there. I’m not struck by it often, but it doesn’t take much for me to be struck by that nostalgia.