The following was originally posted at the Open Book Publishers blog.Continue reading “A post about a post at another blog that I wrote about a thing I wrote”
My book, A Philosophy of Cover Songs, is in the last throes of preproduction and will be released by the end of May.
Recently, someone I follow on Twitter linked to a story by Katie MacBride titled “Overconfidence kills: The CDC and WHO still haven’t learned how to effectively communicate uncertainty.” That seemed right to me, so I clicked ❤️, followed the link, and read the story. Despite agreeing with the thesis, the actual article gets so much wrong that I went back and withdrew my ❤️ from the Tweet linking to it. This isn’t something I do very often.Continue reading “Overconfidence about overconfidence”
Philosophers try to understand things. One traditional way that goes is to provide a definition. Q: What is knowledge? A: Something is knowledge if and only if it is justified true belief. K=JTB.
Attempts to give necessary and sufficient conditions in this way typically fail. JTB is insufficient, and a literature pops up suggesting some additional condition, so that K=JTB+X. Some later philosophers pass quickly over the difficulty, not bothering to fill in a value for X and suggesting that for their purposes we can just focus on the JTB part.
A popular alternative since the mid-1900s has been to analyze in terms of cluster concepts. When X, Y, and Z all seem relevant but none seem either necessary or sufficient, say instead that the concept is a cluster formed by those criteria. This has been a common move for analyzing art.1Continue reading “Clusters without cluster concepts”
I’m teaching Theory of Knowledge this semester, and last week we discussed Nathan Ballantyne’s “Epistemic Trespassing.” The title refers to when an expert makes claims outside their field of expertise. Ballantyne gives the example of the chemist Linus Pauling making strong claims about the value of Vitamin C. Pauling’s claims were influential even though he was making false claims well outside his speciality.
A student pointed out that trespassing is a matter of overconfidence, so there may be a counterpart problem resulting from insufficient confidence. That is, an expert might decline to make claims within their field of expertise because of an excess of epistemic modesty. In our conversation, I called this the problem of Hiding in Your Epistemic Attic. For the sake of brevity, call this Epistemic Hiding.1Continue reading “Some thoughts about Epistemic Hiding”
This is going to be a thing.
The Ethics of Cover Songs
Friday, June 10, 3:00-5:00 EDT via Zoom
A cover song, on a typical definition, is a recording of a song that had earlier been recorded by someone else. Philosophers of music considering cover songs have debated the adequacy of this definition, argued about the aesthetic evaluation of covers, and worried about their metaphysical status. This panel asks instead about ethical issues that arise from recorded music. Are there obligations which artists have when recording covers? If there are, do they arise from general ethical considerations or from norms within musical communities?Continue reading “A thing I’ll be doing in June”
Last week I was assembling the index for A Philosophy of Cover Songs. No release date yet, but soon.
I’ve previously posted a bit of the introduction and the epilogue. Last month, in a moment of perversity, I also wrote a summary of each chapter in haiku. I had entirely forgotten doing that until I saw the file yesterday. It’s in a directory of things written for the blog, so clearly it should be posted here.Continue reading “Doggerel by chapter”
The final draft of my book A Philosophy of Cover Songs has been sent off to the publisher, so I’m waiting on feedback from the proofreader. Over on Twitter, Pete Vickers asks for the take-home message of the book in one sentence. The one-sentence version would be a grammatically dubious monstrosity, so here instead is the epilogue in which I try to sum it all up:
Many’s the time I’ve been mistakenWillie Nelson, covering Paul Simon’s ‘American Tune’ (1993)
And many times confused.
So where does this wide-ranging discussion of covers leave us?Continue reading “What it says at the end”
The following instruction piece is offered without comment:
On a day when you are about to receive a promotion, have ten coins in your pocket. Believe that someone has performed this piece, but do not know it.