Why I love my publisher

My book, A Philosophy of Cover Songs, was published by Open Book Publishers. They are, as their website says, “a not-for-profit Social Enterprise run by academics who are committed to making high-quality and prize-winning research available to all, and… the hub of choice for a rapidly increasing international network of scholars who believe that it is time for academic publishing to become fairer, faster and more accessible.” They were my first-choice publisher for the book, and my experience with them has been great.

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A post about a post at another blog that I wrote about a thing I wrote

My publisher asked for a short post to accompany the release of my book. It covers similar ground to one or two posts I’ve made here, but with a few twists.

The following was originally posted at the Open Book Publishers blog.

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A thing I’ll be doing in June

This is going to be a thing.

The Ethics of Cover Songs

Friday, June 10, 3:00-5:00 EDT via Zoom

A cover song, on a typical definition, is a recording of a song that had earlier been recorded by someone else. Philosophers of music considering cover songs have debated the adequacy of this definition, argued about the aesthetic evaluation of covers, and worried about their metaphysical status. This panel asks instead about ethical issues that arise from recorded music. Are there obligations which artists have when recording covers? If there are, do they arise from general ethical considerations or from norms within musical communities?

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Doggerel by chapter

Last week I was assembling the index for A Philosophy of Cover Songs. No release date yet, but soon.

I’ve previously posted a bit of the introduction and the epilogue. Last month, in a moment of perversity, I also wrote a summary of each chapter in haiku. I had entirely forgotten doing that until I saw the file yesterday. It’s in a directory of things written for the blog, so clearly it should be posted here.

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What it says at the end

The final draft of my book A Philosophy of Cover Songs has been sent off to the publisher, so I’m waiting on feedback from the proofreader. Over on Twitter, Pete Vickers asks for the take-home message of the book in one sentence. The one-sentence version would be a grammatically dubious monstrosity, so here instead is the epilogue in which I try to sum it all up:

Many’s the time I’ve been mistaken
And many times confused.

Willie Nelson, covering Paul Simon’s ‘American Tune’ (1993)

So where does this wide-ranging discussion of covers leave us?

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